Transforming Historical Song Recordings for Transmission
作者
Wei-Ya Lin 林維亞
｜
典藏者
ICTM Study Group on Indigenous Music and Dance
Dr. Wei-Ya Lin
Wei-Ya Lin, an ethnomusicologist and a violist, is co-leading the PEEK-project in artistic research, “creative (mis)understandings” (2018-2021) at the University of Music and Performing Arts Vienna (MDW), together with Johannes Kretz. At the same time she is research fellow and adjunct lecturer at MDW and University Vienna.
She is initiator and curator of aNOther festival Vienna since 2010; she is leading the interdisciplinary and intercultural summer camp iKultLab since 2014; since 2013 she been involved in planning and developing projects based on scholarly research results, which are implemented by artistic inventions and activist and socio-political approaches.
In 2006 she completed her M.A. in viola performance with distinction, in 2007 the postgraduate curriculum in chamber music, and she studied composition from 2005 to 2007 at the MDW. In 2015 she received her PhD in Ethnomusicology from the same university for the thesis “Music in the Life of the Tao (Taiwanese indigenous ethnic group): Tradition and Innovation”, a graduation with distinction.
Affiliations: Research fellow and adjunct lecturer at University of Music and Performing Arts Vienna (MDW) and University Vienna
姓名：Dr. 林維亞
中提琴家及民族音樂學家，目前於國立維也納音樂暨表演藝術大學（MDW）和約翰內斯·克雷茨（Johannes Kretz）共同主持由奧地利國家科學研究基金所委託為期三年的藝術本位研究計劃 – 《創意性的理解與誤解》（2018-2021年）。同時，她也是MDW和維也納大學的博士後研究員及兼職講師。研究興趣為藝術本位研究、應用民族音樂學、弱勢群體音樂、臺灣原住民音樂、聽覺知識、音樂與移民、雙重音樂性。
2006年，她以優異的成績取得MDW的中提琴演奏碩士學位，2007年繼續修習室內樂，也在2005年至2007年間於MDW學習作曲。 2015年，她在同一所大學獲得民族音樂學博士學位，論文的主題是《達悟生活中的音樂：傳統與創新》 。自2010年以來，林氏擔任維也納aNOther Festival的發起人和策展人，自2014起，領導跨學科和跨文化的夏令營iKultLab；自2013年，透過融合藝術表現及學術研究成果，致力達到社會反饋的期待。
所屬機構：國立維也納音樂暨表演藝術大學
Wei-Ya Lin, an ethnomusicologist and a violist, is co-leading the PEEK-project in artistic research, “creative (mis)understandings” (2018-2021) at the University of Music and Performing Arts Vienna (MDW), together with Johannes Kretz. At the same time she is research fellow and adjunct lecturer at MDW and University Vienna.
She is initiator and curator of aNOther festival Vienna since 2010; she is leading the interdisciplinary and intercultural summer camp iKultLab since 2014; since 2013 she been involved in planning and developing projects based on scholarly research results, which are implemented by artistic inventions and activist and socio-political approaches.
In 2006 she completed her M.A. in viola performance with distinction, in 2007 the postgraduate curriculum in chamber music, and she studied composition from 2005 to 2007 at the MDW. In 2015 she received her PhD in Ethnomusicology from the same university for the thesis “Music in the Life of the Tao (Taiwanese indigenous ethnic group): Tradition and Innovation”, a graduation with distinction.
Affiliations: Research fellow and adjunct lecturer at University of Music and Performing Arts Vienna (MDW) and University Vienna
姓名：Dr. 林維亞
中提琴家及民族音樂學家，目前於國立維也納音樂暨表演藝術大學（MDW）和約翰內斯·克雷茨（Johannes Kretz）共同主持由奧地利國家科學研究基金所委託為期三年的藝術本位研究計劃 – 《創意性的理解與誤解》（2018-2021年）。同時，她也是MDW和維也納大學的博士後研究員及兼職講師。研究興趣為藝術本位研究、應用民族音樂學、弱勢群體音樂、臺灣原住民音樂、聽覺知識、音樂與移民、雙重音樂性。
2006年，她以優異的成績取得MDW的中提琴演奏碩士學位，2007年繼續修習室內樂，也在2005年至2007年間於MDW學習作曲。 2015年，她在同一所大學獲得民族音樂學博士學位，論文的主題是《達悟生活中的音樂：傳統與創新》 。自2010年以來，林氏擔任維也納aNOther Festival的發起人和策展人，自2014起，領導跨學科和跨文化的夏令營iKultLab；自2013年，透過融合藝術表現及學術研究成果，致力達到社會反饋的期待。
所屬機構：國立維也納音樂暨表演藝術大學
