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INTRODUCTION

2022/06/30

2023/12/21

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In December 2020, we successfully delivered our Inaugural Symposium, which was held in a combined online/in-person format, co-hosted by National Chiayi University (Taiwan), National Dong Hwa University (Taiwan), the University of Melbourne (Australia) and the Taipei National University of the Arts (Taiwan). The Symposium was convened by Prof. Yuh-Fen Tseng (Taiwan) and Mr. Tiriki Onus and A/Prof. Sally Treloyn (Australia). It included 183 delegates registering for the overall event (101 in person, 83 online), with a further 40 people registering for the final day in Australia, making for a total of 223 delegates. The Symposium included delegates from every continent with speakers presenting in either English or Chinese.  Conference convenor Prof Yuh-Fen Tseng successfully raised the funds to host the Symposium, and publish its proceedings in print and in an online multimedia format bilingually in  both Chinese and English that you are reading now. The online audio-visual database can be enjoyed simultaneously, to complement the written proceedings. At the Symposium the Study Group’s inaugural business meeting was held and the Committee was elected. I accepted the role of chair, Muriel Swijghuisen Reigersberg became vice-chair while Anthea Skinner, Xinjie Chen and Shuo Niki Yang share the secretariat duties. A nine-member advisory board, consisting of Indigenous elders and leading scholars in the field was also elected. As a result, our Study Group was granted official status within the ICTM in May 2021, and our official page on the ICTM website went live shortly after. We would like to thank our generous sponsors, who supported our Inaugural Symposium and the publication of its proceedings. They are: The Bureau of Cultural Heritage, Taiwan  The Council of Indigenous Peoples, Taiwan  Legislator Lihua Wu, Taiwan  Ministry of Foreign Affairs, Taiwan  Ministry of Education, Taiwan   National Center for Traditional Arts, Taiwan   Taiwan Music Institute  Academia Sinica, Taiwan   National Chiayi University, Taiwan   National Dong Hwa University, Taiwan   National Taipei University of the Arts, Taiwan   Mr. Zhi-Wei Xue  We would also like to thank the programming and local arrangements committees for our Inaugural Symposium: Prof. Dr. José Jorge de Carvalho, University of Brasília.  Dr. Bernd Brabec de Mori, Phonogrammarchiv of the Austrian Academy of Sciences and Philipps-University Marburg. Prof. Dr. Aaron Corn, University of Melbourne. Prof. Dr. Yuh-Fen Tseng, National Chiayi University. Dr. Muriel Swijghuisen Reigersberg, Open University.  Dr. Wei-Ya Lin, University of Music and Performing Arts Vienna (MDW) and University Vienna.  Associate Professor, Dr. Cherg-Hsien Yang, National Dong Hwa University. Professor, Dr. Chunbin Chen, Taipei National University of the Arts.  We are currently preparing for our 1st Symposium as an official ICTM Study Group, which will be held online from Nov 30 - Dec 3, 2022. It will be hosted by the Indigenous Knowledge Institute (IKI) at the University of Melbourne, and convened by Prof Aaron Corn. Current organising committee members are Prof. Yuh-Fen Tseng, Dr. Muriel Swijghuisen Reigersberg, Dr Victoria Levine, Dr Anthea Skinner, Ms Shuo Niki Yang and Dr Xinjie Chen.  I look forward to seeing you all there! Prof. Marcia Langton Chair, ICTM Study Group on Indigenous Music and Dance 30 September 2022 研究小組主席序言 過去三年，儘管疫情橫行之下各國持續封鎖造成諸多限制，對於ICTM原住民音樂舞蹈研究小組來說卻仍是個豐收的時節。 2020 年 12 月，我們成功舉辦了成立論壇，此論壇由國立嘉義大學（台灣）、國立東華大學（台灣）、國立臺北藝術大學與墨爾本大學（澳大利亞）聯合主辦，以線上/實體並行的形式舉行。研討會由曾毓芬教授（台灣）、Tiriki Onus 先生及 Sally Treloyn副教授（澳大利亞）召集。整個論壇共有183 位報名參與者（101 名親自參加，83 名線上參與），另有 40 位報名參加在澳大利亞的最後一天議程，共計 223 名參與者。成立論壇的發表者包括來自各大洲的代表，使用英語或中文進行演講。會議召集人曾毓芬教授成功募集足夠的論壇籌辦經費，並進一步以紙本印刷和數位影音形式出版會議論文集—也就是各位此刻正在閱讀的中英雙語出版物，以及可同步上線欣賞的影音資料庫。 研究小組於成立論壇中召開首次事務會議，選舉出委員會成員。我接受了主席一職，Muriel Swijghuisen Reigersberg 擔任副主席，Anthea Skinner、Xinjie Chen 和 Shuo Yang 共同承擔秘書處的職責。此外，我們還選舉出一個由原住民長老和該領域知名學者組成的九人智庫領導團。因此，我們的研究小組於2021年5月獲得國際傳統音樂學會認證為ICTM體系內之正式研究小組。不久之後，我們在ICTM網站上的官方網頁也正式上線。  我們要在此感謝我們慷慨的贊助者，他們支持我們的成立論壇及會議論文集的出版。他們是： 文化部文化資產局 原住民族委員會 伍麗華立法委員 外交部 教育部 國立傳統藝術中心 臺灣音樂館 中央研究院 國立嘉義大學國立東華大學國立臺北藝術大學 薛智偉先生 我們也要向成立論壇的學術委員會及籌辦委員會致上誠摯的謝意： José Jorge de Carvalho教授，巴西利亞大學 Bernd Brabec de Mori博士，奧地利科學院及馬堡菲利普大學唱片檔案館 Aaron Corn教授，墨爾本大學 曾毓芬教授，國立嘉義大學 Muriel Swijghuisen Reigersberg博士，英國開放大學 林維亞博士，維也納音樂與表演藝術大學及維也納大學 楊政賢副教授，國立東華大學 陳俊斌教授，國立臺北藝術大學 我們目前正在籌辦成為 ICTM正式研究小組後的第一屆論壇，該論壇將於 2022 年 11 月 30 日至 12 月 3 日在網上舉行，由澳大利亞墨爾本大學的原住民知識研究所 (IKI) 主辦，召集人為 Aaron Corn 教授。目前的籌辦委員會成員有曾毓芬教授、 Muriel Swijghuisen Reigersberg 博士、Victoria Levine 博士、Anthea Skinner 博士、Suo Niki Yang 女士和 Xinjie Chen 博士。  期待屆時再相會！ Marcia Langton教授 ICTM原住民音樂舞蹈研究小組主席2022年9月30日 Introduction to the Launching of the ICTM Study Group on Indigenous Music and Dance  The International Council for Traditional Music (ICTM) is a non-government organisation in formal consultative relations with UNESCO, which aims to study, practice, documentation, preservation and dissemination of traditional music and dance of all countries. The ICTM’s newly-formed “Study Group on Indigenous Music and Dance” brings together scholars, performers and Indigenous knowledge holders from around the world to share their skills, traditions and ideas.  Inaugural Symposium  In December 2020,  the Inaugural Symposium of the ICTM Study-Group-in-the-Making on Music and Dance in Indigenous Postcolonial Contexts was held in a combined online/in-person format co-hosted by National Chiayi University (Taiwan), National Dong Hwa University (Taiwan), the University of Melbourne (Australia) and the Taipei National University of the Arts (Taiwan). The Symposium was convened by Prof Yuh-Fen Tseng (Taiwan) and Mr Tiriki Onus and A/Prof Sally Treloyn (Australia). It included 183 delegates registering for the overall event (101 in person, 83 online), with a further 40 people registering for the final day in Australia, making for a total of 223 delegates. The Symposium included delegates from every continent with speakers presenting in either English or Chinese. The success of the Inaugural Symposium led to the official ratification and launching of the ICTM Study Group on Indigenous Music and Dance. The overarching theme of the Inaugural Symposium was: Ontologies and Epistemologies of Indigenous Music and Dance, which includes presentations exploring the subtheme as below:<ol><li>indigenous ontologies and epistemologies of being and knowing through music and dance</li><li>indigenous knowledge production, curation and transmission through music and dance</li><li>colonial and postcolonial impacts on indigenous music and dance</li><li>expressions of personal, social and/or environmental ‘harmony’ in indigenous music and dance</li><li>indigenous knowledges, intellectual property, and copyright</li><li>research co-design and collaboration with indigenous performers</li><li>continuity and change in indigenous music and dance</li></ol>The Inaugural Symposium provided a forum for cooperation among music and dance scholars and practitioners to share and discuss music, dance and ceremony in these contexts, as well as their connections to underpinning indigenous epistemologies and processes of knowledge production, the mediation of national and subaltern aspirations, conceptualisations of community and place, and strategies for cultural sustainability and survival. It encouraged research into indigenous music and dance from a broad range of performative, theoretical, methodological and applied perspectives. This can include, but is not limited to, studies concerning composition, performance, dissemination, community cohesion, wellbeing, policy, resourcing, human rights, equity, collections, formal and informal learning, maintenance, and the environment. Mission Statement During the Inaugural Symposium, the Study-Group-in-the-Making Agreed on the following mission statement: Throughout the world, indigenous peoples live in a diverse array of postcolonial nation-states shaped by the legacy of global colonial expansion. They commonly distinguish themselves culturally, historically and politically by maintaining distinctive repertoires of music, dance and ceremony. In some cases, these peoples comprise the populations of countries that were once ruled by colonial powers. In others, they have become subalterns struggling for recognition and justice in countries where the descendants of colonists now comprise the postcolonial majority population. In both cases, however, the hegemonic state institutions that colonisers imposed upon indigenous peoples endure to this day and continue to displace pre-existing systems of governance and knowledge production to which indigenous repertoires of music, dance and ceremony are often integral.This ICTM Study Group on Indigenous Music and Dance is concerned with research and documentation into repertoires, epistemologies and applications of music, dance and ceremony across the fullest array of indigenous and postcolonial contexts worldwide. This includes national contexts in which indigenous peoples still struggle to have their sovereignty and rights recognised, as well as those from which former colonial powers have withdrawn, yet their institutional structures remain. Proceedings of the Inaugural Symposium The proceedings of the Inaugural Symposium of the ICTM Study-Group-in-the-Making on Music and Dance in Indigenous Postcolonial Contexts are presented bilingually, both in Chinese and in English.  Furthermore, a distinguished feature of the symposium proceedings is: It's published “in print” and “in online multimedia format”. In other words,  it is a paper book coinciding with an audio-video database which can be viewed online simultaneously. The audio-video database presents the activities taken place in the Inaugural Symposium in two different forms. One is the “Digital Musical Map” which distributes the events and performances in a digital world map. The other is to present the audio-video recordings of the Inaugural Symposium according to the type of activity, which includes: (1) 2020 symposium ceremony; (2) Banque of Taiwan Indigenous Music and Dance; (3) 2020 Symposium_Keynote Panel; (4) 2020 Symposium_Panel; (5) 2020 Symposium_Paper Presentation; (6) 2020 Symposium_Workshop;  (7) Symposium Introduction; and (8 )Symposium Program Book.      In sum, these proceedings in various forms document the Inaugural Symposium of the ICTM’s study-group-in-the-making on Music and Dance in Indigenous Postcolonial Contexts held in person and online in Taiwan and Melbourne from 30 November to 3 December 2020. Featuring representatives from every inhabited continent, the Symposium brought together some of the world’s leading Indigenous leaders, academics, performers and arts administrators to discuss local and Indigenous music and dance from around the world.  研究小組成立沿革 國際傳統⾳樂學會（ICTM）是與聯合國教科⽂組織建⽴正式協商關係的⾮政府組織，致⼒於研究、實踐、記錄、保存和傳播世界各國的傳統⾳樂⽂化。  ICTM 新成⽴的「原住民⾳樂舞蹈研究⼩組」彙集了來⾃世界各地的學者、表演者以及原住民知識持有者，分享他們的技能、傳統和想法；而「ICTM原住民後殖民語境樂舞研究小組成立論壇」的成功辦理，則促成「 ICTM 原住民音樂舞蹈研究小組」的正式成立。 成立論壇 2020 年 12 月，「ICTM原住民後殖民語境樂舞研究小組成立論壇」在臺灣舉辦，此論壇由國立嘉義大學（台灣）、國立東華大學（台灣）、國立臺北藝術大學與墨爾本大學（澳大利亞）聯合主辦，以線上/實體並行的形式舉行。研討會由曾毓芬教授（台灣）、Tiriki Onus 先生及 Sally Treloyn副教授（澳大利亞）召集。整個論壇共有183 位報名參與者（101 名親自參加，83 名線上參與），另有 40 位報名參加在澳大利亞的最後一天議程，共計 223 名參與者。成立論壇的發表者包括來自各大洲的代表，使用英語或中文進行演講。 ICTM原住民後殖民語境樂舞研究小組成立論壇之主軸為:「原住民樂舞的本體論與認識論」，其相關主題如下：<ol><li>原住民存在論與認識論──透過音樂和舞蹈去感知存在與認識世界</li><li>原住民知識生產──透過音樂及舞蹈的展演與傳習</li><li>殖民與後殖民對原住民音樂和舞蹈的影響</li><li>原住民音樂和舞蹈所表述的個人、社會及(或)環境之間的和諧</li><li>原住民相關知識、智慧財產權和著作權</li><li>與原住民表演者聯合設計研究及合作表演</li><li>原住民音樂及舞蹈的永續與變化</li></ol> 使命宣言 在成立論壇中，研究小組成員們對於以下之研究小組使命宣言達成一致的共識： 「在世界各地，原住民生活在由過往全球殖民擴張行動所造成的各式後殖民語境或國家中，他們通常透過保存具有族群特色的音樂、舞蹈和儀式來維持自身、在文化、歷史與政治上的區辨性。在曾被殖民強權統治過的地區，有些原住民形成國家的主要人口群，而有些原住民則在殖民者後裔成為多數人口的國家中，成為二等公民，為爭取認同和正義而掙扎著。殖民者強加於原住民身上的霸權制度仍持續至今，並且繼續取代與原住民音樂、舞蹈及儀式原為一體的既有知識生產和運作系統。在這樣的前提下，本研究小組關注於研究和保存原住民與後殖民背景下各式音樂、舞蹈和儀式，包含曲目、認識論及其應用面向，並欲透過會議、出版、表演和通訊使這個小組成為一個合作平台，讓學者和原住民文化工作者可以在這樣的環境下分享並討論音樂、舞蹈、儀式及其與背後文化支撐系統之間的關聯。因此，能夠加深對原住民樂舞及儀式的認識、加速對其所存在的全球後殖民語境的啟發性對談、以及能夠增進這些學術談話之貢獻度的各式合作，皆受到高度鼓勵。」 成立論壇論文集 ICTM原住民後殖民語境樂舞研究小組成立論壇的論文集以中英文雙語呈現。另外，此部論文集的獨特設計是：以「論文紙本」和「數位多媒體資料庫」雙重形式來呈現。換句話說，它是一部結合網路多媒體資料庫的論文集－－在閱讀論文的同時，還可同步查看數位資料庫上的影音記錄。論文集的數位多媒體資料庫以兩種不同形式來呈現論壇所舉辦的各式活動。第一種是「數位音樂地圖」，它將論壇中的學術活動和樂舞表演置放於網路的數位世界地圖中。第二種則是按照活動類型來展現成立論壇的影音記錄，包括：（1）2020論壇開幕式；(2) 臺灣原住民樂舞饗宴；(3) 2020論壇專題討論會；(4)2020論壇小組論文發表； (5) 2020論壇單篇論文發表； (6) 2020論壇工作坊； (7) 2020論壇介紹； (8) 2020論壇議程手冊。 總而言之，此部論文集以各種形式生動記錄下 2020 年 11 月 30 日至 12 月 3 日在臺灣和墨爾本所舉行「ICTM原住民後殖民語境樂舞研究小組成立論壇」的活動內容。此論壇聚集來自五大洲的代表，原住民領袖、學者、表演者和藝術行政人員們齊聚一堂，相互討論切磋來自世界各地原住民的音樂和舞蹈。", "musicText": "", "musicURL": "", "musicTip": "聽導覽" }, "text-5qy8d0zcnx": { "id": "text-5qy8d0zcnx", "type": "text", "sortable": true, "musicName": "無", "weight": 2, "title": "Study Group Committee 研究小組執行委員會", "desc": "Chair／主席: Professor Marcia Langton  <img width=\"202\" alt=\"\" src=\"https://lh3.googleusercontent.com/wzEUq6i0ZGrPBLYkfrPO6tFOl3ba69zeCnPCptx7hoaCshNXj6I6oRbwdKiEd6zRCC7mHGjF_rHnq0XLZKCr_kuHrl2qRaFYfMN41JKci_sAbxevFCR45m8PrH_bO4oK-M-gz65rzvsOu0cvkg\" height=\"269\"> Professor Marcia Langton is an anthropologist and geographer, and since 2000 has held the Foundation Chair of Australian Indigenous Studies at the University of Melbourne. She has produced a large body of knowledge in the areas of political and legal anthropology, Indigenous agreements and engagement with the minerals industry, and Indigenous culture and art. Her role in the Empowered Communities project under contract to the Department of Prime Minister and Cabinet and as a member of the Expert Panel on Constitutional Recognition of Indigenous Australians are evidence of Professor Langton's academic reputation, policy commitment and impact, alongside her role as a prominent public intellectual. Her 2012 Boyer lecture series titled The Quiet Revolution: Indigenous People and the Resources Boom is one of her recent contributions to public debate, and added to her influence and reputation in government and private sector circles. In 1993 she was made a member of the Order of Australia in recognition of her work in anthropology and the advocacy of Aboriginal rights. Professor Langton is a Fellow of the Academy of Social Sciences in Australia, a Fellow of Trinity College, Melbourne and an Honorary Fellow of Emmanuel College at the University of Queensland. In 2016 Professor Langton was honoured as a University of Melbourne Redmond Barry Distinguished Professor. In further recognition as one of Australia’s most respected Indigenous Academics Professor Langton has in 2017 been appointed as the first Associate Provost at the University of Melbourne. Marcia Langton教授是一位人類學家和地理學家，自2000年以來一直擔任墨爾本大學澳洲原住民研究基金會主席。她在政治和法律人類學，與礦產行業的原住民協議和參與以及原住民文化和藝術領域積累了豐富的知識。根據總理和內閣部的合同，她在賦權社區項目中的角色以及作為澳大利亞原住民憲法承認專家小組的成員，證明了Langton教授的學術聲譽、政策承諾和影響力，以及她作為傑出的公共知識分子代表。她在2012年的博耶（Boyer）系列講座題為《安靜的革命：原住民和資源繁榮》，是她最近對公開辯論的貢獻之一，並增加了她在政府和私營部門圈子中的影響力和聲譽。 1993年，由於她在人類學方面的工作和對原住民權利的倡導工作，她被授予澳大利亞勳章。 Langton教授是澳大利亞社會科學院的院士，墨爾本三一學院的院士和昆士蘭大學伊曼紐爾學院的名譽院士。 2016年，Langton教授被授予墨爾本Redmond Barry傑出教授。作為澳大利亞最受尊敬的原住民學者之一，Langton教授於2017年被任命為墨爾本大學第一位副教務長。 Vice-Chair／副主席: Muriel E Swijghuisen Reigersberg  <img width=\"256\" alt=\"\" src=\"https://lh3.googleusercontent.com/7Q_DTngoKe8BUcPYL_TFFMqUhpILTEj46X7XpbXet2iEq8KYeyjDVFpM3tPJcD-AKXjKfuoqezB71f2EFgf9wE9IgWGasrzHWQy-LETa4rUD0vGBcshT8_p35yAKP4bfgOKlq12zDrwUOCwO6Q\" height=\"256\"> Dr. Muriel Swijghuisen  Reigersberg is based at The Open University in the UK. Her research interests are Australian Aboriginal Christian choral singing, decolonizing the academy, research ethics and integrity as well as the relationship between music, health and wellbeing. Her recent publications include a Routledge volume entitled Making Christian Congregational Music Local Worldwide, and a chapter on open access and the responsible sharing of Indigenous research in Whose Book is it Anyway (OpenBook publishers). Muriel has also published in outlets such as Aboriginal History and the Journal of Folklore Research. Dr Swijghuisen Reigersberg is a responsibly open knowledge and research enthusiast, participating in the Horizon 2020 FREYA (EU) and the Curtin Open Knowledge Initiative (Australia) where she represents the needs of arts, humanities and social science researchers. Muriel also holds a prominent university-level position as senior research impact and knowledge exchange manager which allows her to promote and support impactful research benefitting society. Swijghuisen Reigersberg博士隸屬英國的開放大學（The Open University）。她的研究興趣為澳大利亞基督教原住民合唱團、學院去殖民化、研究道德與誠信以及音樂、健康與福祉之間的關係。她最近的出版物包括Routledge出版的《將基督教會音樂本地化到世界各地》，以及一章涉及原住民研究，開放獲取（Open Access）與負責任分享的章節：《這本書是誰的Whose Book is it？》（OpenBook出版商）。Swijghuisen Reigersberg還曾在民俗研究雜誌（Journal of Folklore Research）等雜誌上發表過文章。 Swijghuisen Reigersberg博士是負責任開放知識和研究的愛好者，她代表藝術、人文和社會科學研究者參加Horizon 2020 FREYA（歐盟）和Curtin開放知識倡議（澳大利亞）等會議，表達當下研究者的需求。Swijghuisen Reigersberg還擔任大學一級重要職位，擔任高級研究影響力和知識交流經理，這使她能夠促進和支持有益於社會之有意義研究。 Secretariat／秘書團  Anthea Skinner <img width=\"252\" alt=\"\" src=\"https://lh4.googleusercontent.com/zXYp9KjUq8KV65km8mM6yadlpXDgBuDrIjzTKrvCr8vrTsKMTlpLvVbUTm5dcA5HqgIzn-n0h1flQ_FuAAH9smRHBm92JoE1D5CnpHdzG340VGIaRYHBMu2ClyXSjlp2qdTdydDaXguFtLLKSw\" height=\"251\"> Anthea Skinner has a PhD in Musicology and is currently a McKenzie Postdoctoral Research Fellow at the Victorian College of the Arts, University of Melbourne in Australia. Anthea's research interests are heritage archiving, disability music and military and naval music. Anthea is also a qualified archivist and won the 2021 Margaret Jennings Award from the Australian Society of Archivists. Anthea Skinner，音樂學博士，現為澳洲墨爾本大學維多利亞藝術學院麥肯齊博士後研究員。Anthea的研究興趣包括遺產檔案管理、殘障音樂、軍隊和海軍音樂。同時，Anthea也是一位擁有專業資格的檔案管理員，並獲得澳洲檔案管理員協會2021年的瑪格麗特·詹寧斯獎。 Shuo Yang 楊爍 <img width=\"321\" alt=\"\" src=\"https://lh3.googleusercontent.com/z1At0HsaLRdQ33947hgQyPREUCt27uSOXAPX_JTu86KIRhh2V7CIiG_8WCWP70VJ9tp88KwskP8QmOkb-LHtx_qKGhQQ0Z7LDkrmfZarBkWzvsvFaFwzCXUPlFrLmivlPCraQUswG4DAhFSDBVWhGplfMi8QLmi0tWGDOkxug2pRAfA6K7aRcI8QoEEmSllyAlmX\" height=\"180\">Shuo (Niki) Yang is a Ph.D. candidate in Ethnomusicology at the University of Pittsburgh. Her research interests include ethnic minority music of Southwest China, popular music of China, sound studies, music and tourism, and decolonizing ethnomusicology. She has served as the regional area leader (East Asia) of the ICTM Study Groups on Music, Education and Social Inclusion and the co-editor of the Association for Chinese Music Newsletter.  楊爍，美國匹茲堡大學民族音樂學專業博士候選人。研究方向包括中國西南少數民族音樂、中國流行音樂、聲音研究、音樂與旅遊以及民族音樂學學科中的去殖民性等。她同時也擔任中國音樂研究會（ACMR）通訊主編及國際傳統音樂學會（ICTM）音樂、教育和社會融入研究小組東亞代表以及原住民及後殖民語境樂舞研究小組秘書。 Xinjie Chen 陳心傑 <img width=\"228\" alt=\"\" src=\"https://lh4.googleusercontent.com/rMhzsQ9PpwLVhUjaZf7dcQco8w7ldCBLyuG6Nakhc4KWMh5O9ehN3csVZhsRS5pE6OneMIaujVC2iW1nR1qVvKBQ7BCbSUumnpNkpPGA0t1qRfxLXNzC0PPwh-rAlWLjAEBcd9_8eA5RzmhkFw\" height=\"285\"> Xinjie Chen (Ph.D. in Ethnomusicology) got her doctoral degree at the University of Helsinki. Her PhD focused on Sámi musical CD productions and rooted cosmopolitanism. She received her BA and MA from Central Conservatory of Music, China. She was also engaged in the studies of traditional music and ritual music in China. She is currently active in the studies of Indigenous music and culture. 陳心傑（民族音樂學博士）畢業於芬蘭赫爾辛基大學，取得博士學位。她的博士課題探討了北歐原著民薩米人的音樂CD產業和根性世界主義的話題。此前她就讀於中央音樂學院音樂學係（中國，北京），取得音樂學專業的本科及碩士研究生學位。其研究話題也涉及中國民間傳統音樂和儀式音樂。她近期的研究焦點主要是原住民音樂與文化。 ", "musicText": "", "musicURL": "", "musicTip": "聽導覽" }, "text-vchv5hk6ho": { "id": "text-vchv5hk6ho", "type": "text", "sortable": true, "musicName": "無", "weight": 3, "title": "Advisory, Non-Executive Board of Directors 研究小組智庫指導團", "desc": "Prof. Dr. Yuh-Fen Tseng  曾毓芬 <img width=\"159\" alt=\"\" src=\"https://lh3.googleusercontent.com/F0RsbHPfUl_i_tZV9Rcy7SQdxcVQWL_vr4jWB-8J6Fe8Ag-VUOxYsQ1IlFpVdJrkJxI69h0fm9XUYpgFseuzWpftDhyNvNXwg-yR7NotbRZ1apuSc8h0S86G-c-z5tAl8JbQv__7AyF9zceG\" height=\"238\"> Prof. Dr. Yuh-Fen Tseng, received her Ph.D. in Musicology from Taipei National University of the Arts, and the Master of Arts degree in piano Performance from New York University. She is currently the professor at the music department of National Chiayi University in Taiwan.  Yuh-Fen Tseng's music profession spans diverse fields such as musicology, ethnomusicology, music aesthetics and piano performance, and has accumulated a lot of administrative practice experience in performing arts over the years. At this same time, awaring the indigenous cultural heritages are vanishing quickly, she has been long devoting herself to the preservation of Taiwanese indigenous music and dance. Her representative works include Legend of White-Stone Mountain: Video Recording on the Oral Music Traditions of Seediq People and Truku People; An Improvisational Study on the Vocal Music of Seediq & Truku; Songs, Music and Life of Bunun: An Analysis and Interpretation of Bunun Musical Actions Based on a General Survey. In recent years, she also engaged in the creation & performance on the ground of Taiwanese Indigenous music, such as cross-domain music theatre works ”Seediq Balay, Let’s Dance Together!” (2018), “Crossing Ridges—Appreciating the Music Story of Bunun'' (2019, 2020) 曾毓芬，國立臺北藝術大學音樂學博士、美國紐約大學鋼琴演奏碩士，現任國立嘉義大學音樂學系暨研究所專任教授。曾毓芬的音樂專業範疇跨越音樂學、民族音樂學、音樂美學和鋼琴演奏等多元領域，並長年累積大量表演藝術行政實務經驗。在此同時，她意識到臺灣原住民樂舞文化遺產正在迅速消失，因此長年致力於臺灣原住民音樂和舞蹈的保存、傳習及推廣。她在各領域皆有代表作品，如《兼容美學與音樂評論──哲學路徑、批評方法與實踐》、《古典音樂賞析─從中世紀至巴洛克時期之音樂風格探微》、《我用生命唱歌─布農族的音樂故事》、《白石山下的傳說－南投賽德克族與花蓮太魯閣族的口傳音樂紀實》、《賽德克族與太魯閣族的歌樂即興系統研究》、《撒奇萊雅族樂舞》、《布農族樂舞》、《布農族人的歌·樂·與生命 ── 一部建立於音樂普查基礎之上的布農族音樂行為分析與文化詮釋》等。曾毓芬近年亦從事以臺灣原住民樂舞文化為底蘊的創作與演出，比如跨界音樂劇場《賽德克. 巴萊，讓我們一起跳舞吧！》（2018），《越嶺--聆聽布農的音樂故事》（2019, 2020）.                       Syaman Vonganyan 郭建平 <img width=\"319\" alt=\"\" src=\"https://lh4.googleusercontent.com/4LSh3xPoXcS3oCghK7_P20DyMPMQ7XGb6WRNA2vamt2-WdHXBMxhyMeuzfhGhYD4WtM074iDWxqnBlsiwsj0jHXqMV3-zkatLmSSMdKmK2CkOcJgC8o4yAMcGMnN3nF5jE-fyobyuv-M7HTF\" height=\"185\"> Syaman Vonganyan (Han-Name: Chien-Ping Kuo): From Taiwan aborigines Tao, experienced cultural worker and Tao traditional song researcher. He and his daughter Zheng Kuo are currently working as the music researchers, artists and coordinators in the artistic research project “Creative (Mis)Understandings,” hosted by Johannes Kretz & Wei-Ya Lin at University of Music and Performing Arts, Vienna.  Syaman Vonganyan（漢名：郭建平）：台灣原住民達悟族資深文化工作者，達悟傳統歌曲研究者。他和女兒郭箏目前以音樂研究者、藝術家與協調員的身分參與維也納音樂與表演藝術大學 Johannes Kretz和林維亞共同主持的藝術研究計畫「創造性的理解/誤解」。 Akawyan Pakawyan  林清美 <img width=\"296\" alt=\"\" src=\"https://lh4.googleusercontent.com/VzhHRTaglUuR0uja8dgjuakcYyIo55ktQf5gdBx8-AmNOaThnY9ujmp9rw-Aam4YL3-IRiLJq3957lotiGEM9fGrjCq3IycwJW0wbTpH2wjF77S9FXYsLZFmFQA-VGcEAl0E1AeIE1wmK68_\" height=\"222\"> Akawyan Pakawyan (Han-Name: Ching-Mei Lin), from the Puyuma village of Taiwan aborigines Pinuyumayan, was born on February 1, 28th. She has been devoting herself to the transmission of Taiwan Indigenous music, dance and language. In 2022, she was awarded the “Lifetime Contribution Award to the Rejuvenation of Indigenous Language” by the Indigenous Peoples Committee of the Executive Yuan of Taiwan. Starting from the August of 1980, in order to preserve the unique singing and dancing traditions of indigenous tribes and return to the cultural practice of the culture of the Mother-Land,  she was in debt in order to establish the \"Taiwan High-Mountain Dance Thertre Cultural and Art Service Troupe''. As a teacher and choreographer, she worked with various tribal people, excavated and regained the memories of the long-lost original ballads, dance steps and legends, and consequently, recovered the unique culture of each ethnic group in the course of performance. In recent years, she has been focusing on the Puyuma ethnic group, her own mother-tribe, engaged in the collection and creation of the oral traditions of song and dance of various tribes, editing ethnic language dictionaries, and actively training young students from various tribes and ethnic language teachers, hoping to use this as the core seed of establishing a cultural team belonging to each ethnic group and tribe.  Akawyan Pakawyan（漢名：林清美） 臺灣原住民卑南族人，民國28年2月1日生。她畢生致力於臺灣原住民音樂、舞蹈和語言的傳承。 2022年獲台灣行政院原住民委員會授予「振興原住語言終身貢獻獎」。1980年8月，為保存原住民部落特有的歌舞傳統，回歸母體的文化實踐，她舉債創立了「台灣高山舞集文化藝術服務團」，奔走於各族群間教舞編舞，以當地部落族人為演出者，在共同思考與激盪中挖掘出失傳已久的原味歌謠、舞步與傳說，也在演出中找回各族群的特質文化與光芒。近年來則將重心回歸卑南母體部落，從事各部落歌舞傳說之蒐集編創，族語詞典編輯，並積極培訓來自各部落族群的青年學子以及族語教學老師，期以此為核心種子，回鄉籌建屬於各族群部落自有的文化團隊。  Tasaw Watan  達少. 瓦旦 <img width=\"212\" alt=\"\" src=\"https://lh5.googleusercontent.com/5SWr1-B2jWbZtF65_kSpJx-dP43axTkvcjCkVgZlplKSQRGIYIt9kJWWmA5Ty2IG-aXXf_0pT5jZdA2JxY_Lxr0E-x9GZHGC-EyPREhnVEKXwhUcSXwfhI3Hb4Wy93jZX_JybB57Rz9OAwQd\" height=\"274\"> Tasaw Watan, coming from Taiwan aborigines Atayal ethnic group,  Tasaw Watan is a senior anchor of Taiwan Aboriginal TV Station.  Besides, as the second son of Watan Tanga (Ming-fu Lin), the Art Master of “National and Important Intangible Cultural Heritage item: Atayal oral history Lmuhuw na Msbtunux” in Taiwan, Tasaw Watan is also assigned to be the Cultural Bearer of Lmuhuw na Msbtunux since 2012, carry on this Atayal intangible cultural heritage transmitted by his father Watan Tanga. 達少. 瓦旦來自台灣原住民泰雅族，是臺灣原住民族電視台的資深主播。同時，身為國家級的「重要無形文化資產-泰雅族口述傳統Lmuhuw na Msbtunux」保存藝師Watan Tanga（林明福）之次子，從小耳濡目染學習之下，Tasaw Watan 自 2012 年起也獲國家指定為Lmuhuw na Msbtunux 的文化傳習者，繼續傳承此一珍貴的泰雅族無形文化遺產。 Prof. Dr. José Jorge de Carvalho <img width=\"372\" alt=\"\" src=\"https://lh6.googleusercontent.com/zbKF53wlKf-CiZTdzE12Ww1oE3DjtD6JQ63M1OmXzozEresowrtnl1AO2pP3e79OELnWytm0JorxrNB35eBtdDelSFmnm_qk_SAtjczraUQlzvlCXTynVXx-VfYJsGl_Rg5tmjVzzE5suF6N\" height=\"247\">José Jorge de Carvalho - Ph.D. in Anthropology at the Queen’s University of Belfast; Professor of Anthropology at the University of Brasília; Head of the Institute of Inclusion in Higher Education and Research, of the National Research Council, located in the University of Brasília. Was Visiting Professor at Rice University, University of Florida-Gainesville and Tinker Professor of Music at the University of Wisconsin-Madison. Has been the main proponent of affirmative actions (especially cuotas) for Black and Indigenous students in Brazilian universities. In the current decade he has formulated the transcultural project entitled Meeting of Knowledges, aimed at including masters of traditional Afro-Brazilian and Indigenous knowledges (including music and other art forms) to act as lecturers of regular courses in institutions of higher education and as researchers. José Jorge de Carvalho於貝爾法斯特女皇大學取得人類學博士；目前為巴西利亞大學人類學教授；巴西利亞大學國家研究委員會高等教育暨研究包容性研究所所長。曾是萊斯大學，佛羅里達州蓋恩斯維爾大學的客座教授和威斯康星大學麥迪遜分校的音樂教授。一直是巴西大學推動黑人及原住民學生平權行動的主要支持者。在最近的十年中，他制定了名為“知識相遇”的跨文化項目，旨在囊括巴西非裔和原住民傳統知識（包括音樂和其他藝術形式）的大師，以作為高等教育機構常規課程的講師和研究人員。 Prof. Dr. Aaron Corn  <img width=\"231\" alt=\"\" src=\"https://lh5.googleusercontent.com/Qb2UlcYsJjvNyjvvVjtz6kq195myJ7UwEGqDAk8_RPWBwzQSeIzsmZ0EoVWwWSW30McIbtTAV_Y9sLeyNyLqFGsFhMWWY3irc0Q66gkwnB8zTTDJRBkRgFR3sAxIxaFvtp4Wpi3wh-fqnRaveVQWlsbLpsGVyQqxpRxRi9ZoiZ_j8LMd2EEbIFaRaKk\" height=\"231\"><div>Professor Aaron Corn is an Ethnomusicologist with a research background in Music, Indigenous Knowledge, Curatorial Studies and Information Technologies. He is the Inaugural Director of the Indigenous Knowledge Institute at the University of Melbourne, and serves as a Director of the National Recording Project for Indigenous Performance in Australia. He has worked closely with Australian Indigenous colleagues in pursuing their own research interests since 1997, and has held multiple grants and fellowships from the Australian Research Council (ARC) and other organisations. His work with Indigenous colleagues, expressive forms, heritage collections and applications of information technologies engages with intellectual traditions that remain fundamental to Indigenous cultural survival in Australia and inform contemporary engagements of Indigenous Australians with others. His research into Indigenous intellectual traditions foregrounds the unique perspectives of Indigenous Australians on public opinions, government policies and scholarly debates that impact upon the cultural, economic, political and technological futures of their communities. He has produced numerous concert tours of Australian Indigenous performance traditions for major venues and festivals in Australia and overseas, and his work with Australian Indigenous colleagues and stakeholders to apply new information technologies to discovering and accessing their collected cultural heritage in collections worldwide has engendered new approaches to curatorial policies and practices among memory institutions internationally. He has served as National President of the Musicological Society of Australia and was a Member of the ARC College of Experts.</div>Professor Aaron Corn是一位民族音樂學家，同時亦具有音樂、原住民知識、策展研究和信息技術等領域之研究背景。目前擔任墨爾本大學「原住民知識研究所」的創始所長；同時亦主持「澳洲原住民表演國家錄音計畫」(NRPIPA)。自1997年以來，他一直與澳洲原住民同僚緊密合作以追尋他們自身的研究興趣，並獲得了澳洲研究委員會（ARC）和其他組織的多項獎金和研究金。 Aaron Corn與原住民同僚的合作、表現形式、文化遺產採集紀錄、和資訊科技與知識傳統緊密結合的應用，仍然是澳洲原住民文化賴以生存的基礎，也讓外界知曉澳洲原住民的當代發展。他對澳洲原住民知識傳統的研究奠定了澳洲原住民對於公共意見、政府政策、以及學術論爭的獨特視野，並深刻影響原住民社群在文化、經濟、政治與科技方面的未來。Aaron Corn曾為澳洲和海外的主要表演場館及音樂節製作了無數場澳洲原住民表演傳統的巡迴表演，與澳洲原住民同儕及相關機構合作，應用新的資訊科技來探索、運作他們在世界各地所採集到的文化遺產，為國際歷史記憶機構帶來策展政策和實踐的新方法。他曾擔任澳洲音樂學學會全國主席，並且是ARC專業學院的成員。 Prof. Dr. Made Mantle Hood <img width=\"186\" alt=\"\" src=\"https://lh4.googleusercontent.com/mJLY3EHDsEWj_I5SYaTZzt2LHQ2wXNdygQS9wwD0CUj-YMMoe6RjFx-0_kmVRuwZfPRQS5JsxvypR1xF0DkaylWhpV9eTuhZaKd--j_oJiJAr_4bwQ-ffwubTUICZD_ccYAEqjhBmGlTdH8E\" height=\"254\"> Prof. Dr. Made Mantle Hood is Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. His previous posts were at Universiti Putra Malaysia, Melbourne University, and Monash University in Australia. His current research interests include ontologies of sounded movement, music and social justice, and endangered forms of vocalisation and tuning systems. His recent publications include two articles on choreomusicology in a special double issue of the World of Music (new series) journal. He is the Chair of ICTM PASEA, the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2022). 胡敏德（Made Mantle Hood），台灣國立台南藝術大學民族音樂學研究所教授兼任所長、亞太音樂研究中心主任。他曾任教於馬來西亞普特拉大學、澳洲墨爾本大學以及蒙納許大學。他目前的研究興趣包括聲音動作的本體論、音樂與社會公義、瀕危聲樂類型及其調律系統。近期的期刊發表包括刊登於《音樂世界》（新刊）雙期特刊中兩篇關於舞蹈音樂學的文章。他同時也擔任國際傳統音樂學會東南亞表演藝術小組的主席以及由中華民國科技部資助的「探討菲律賓、馬來西亞及印尼聲樂文化資產的永續性」研究計劃（2019-2022）的主要研究者。 Prof. Dr. Klisala Harrison <img width=\"192\" alt=\"\" src=\"https://lh3.googleusercontent.com/wtrv0EXFiklc27HXqZMLMLmfxIseSoUg67xqbu_dKGQCFOLGuU-Sv_mbPPk-r_a-yJ2boptynLGL4aRIuE9Qx7h_KrILKb9lrRpl-ksANnkxRmiNumdP8Ccc-GfRFb5xw1jWsrHYpI0jHYVNJE0vd5NHJs_W_bx3WVqUGNbkAbfdXa1exibvHmXA908\" height=\"287\"> Klisala Harrison is a prize-winning music anthropologist (ethnomusicologist) with expertise in the social impact of music on poverty, development, health and well-being, and climate change. She is Associate Professor of Music Anthropology at Aarhus University in Denmark. Harrison has edited three monographs on applications of music research in society and culture (in English and Mandarin); her articles appear in academic journals including Applied Arts & Health, Ethnomusicology, the Yearbook for Traditional Music, MUSICulture, Music and Science, and Current Opinion in Environmental Sustainability. Her most recent book is Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty (Oxford University Press, 2020). (retrieved from the web of UNESCO Inclusive Policy Lab on July 17, 2022) Klisala Harrison 是一位屢獲殊榮的音樂人類學家（民族音樂學家），專長於音樂對貧困、發展、健康與福祉以及氣候變化的社會影響。她是丹麥奧胡斯大學音樂人類學副教授。哈里森編輯了三部關於音樂研究在社會和文化中之應用的專著（英文和中文）；她的文章發表於應用藝術與健康、民族音樂學、傳統音樂年鑑、音樂文化、音樂與科學以及環境永續的當前觀點。最新出版的著作為東區音樂：城市貧困中的音樂促進人權和能力發展（牛津大學出版社，2020 年）。（檢索於 2022 年 7 月 17 日聯合國教科文組織包容性政策實驗室網站） Mark van Tongeren  馬克・范・湯可鄰 <img width=\"260\" alt=\"\" src=\"https://lh6.googleusercontent.com/1OqagQwrayzVB1Tbzz0-o2ZAgNUM5oaymX3eHykloxu88STAIjwaH0Q5zpdFdk2T8cJpzu-1oxQnv_nXrQt5K_ctjK3OY1n-q6iwRuoLzg2WU281fg3GwKbDgN4UwECBWfIJ7WDhvfbyN7C2\" height=\"391\"> <div>Mark van Tongeren is an ethnomusicologist and performing artist with a PhD in artistic research. He feels equally at home ‘in the field’ to study and practice indigenous vocal techniques, as in cutting-edge music experimentation, mainly using voice.  His early ethnomusicology training led to music studies in Siberia and Mongolia, in particular of Tuvan throat singing in post-Soviet Russia (1993-2000). These and his studies of occidental-style overtone singing led to his book of the same title in 2002.  From 2002 onwards, improvisation and multidisciplinary collaborations began to take prominence. As part of his PhD research at the Leiden University Academy of Creative and Performing Arts he founded vocal laboratory Parafonia and the Superstringtrio, and began studying multipart overtone singing in Sardinia and among Tibetan monks. Since 2004 he studies indigenous music and dance in Taiwan, in particular of the Saisiyat ethnic group. In 2022 the Taiwan Overtone Singing Association was launched to further the public’s awareness of overtones, the voice and listening.  In autumn 2022 a completely revised and updated version of his book Overtone Singing – Harmonic Dimensions of the Human Voice will appear with Terra Nova Press, as well as his collection of field recordings Anthology of Overtone Singing, featuring his recordings of traditional music from nearly all known areas where throat/overtone singing is practised. 馬克．范．湯可鄰，荷蘭萊登大學創意與表演藝術博士，持續投入聲音探索的民族音樂學者。熱衷研究、學習不同地方部族原始的聲音技巧，並以人聲為主要媒材，創作前衛實驗音樂。</div>馬克早期的民族音樂研究主要在西伯利亞與蒙古，特別是後蘇聯（1993-2000）的圖瓦喉音歌唱，並在 2002 年彙整喉唱與歐式泛音詠唱的研究成果，發表著作《泛音詠唱》（ Overtone Singing – Harmonic Dimensions of the Human Voice）。 2002年後，即興創作、跨域合作漸成顯學，馬克成立了聲音實驗團體 Parafonia 與 Superstringtrio，並開始研究薩丁尼亞與西藏僧侶的多聲部泛唱。2004年馬克開始投入台灣原民樂舞的研究，以賽夏族為主要對象。2022 年，臺灣泛音詠唱協會正式成立，希冀能提升更多人對泛音、聲音、聆聽的意識。 2022 秋季，馬克透過出版社 Terra Nova Press 出版《泛音詠唱》增訂新版，並且將過往田野調查的錄音整合成專輯《泛音選集》（Anthology of Overtone Singing），錄音涵蓋了幾乎所有喉唱、泛唱文化地區的傳統音樂。 ", "musicText": "", "musicURL": "", "musicTip": "聽導覽" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "ICTM原住民音樂與舞蹈研究小組": { "rights": "ICTM原住民音樂與舞蹈研究小組", "rightsLogo": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "obj": [ "dc6a228d77762439e601d18eb646ec55" ], "objNum": 1 } }, "objList": { "dc6a228d77762439e601d18eb646ec55": { "oid": "dc6a228d77762439e601d18eb646ec55", "fileType": "image", "fileURI": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/muse_styles/w1024/mcode/b6fde69933f700fbae36687aa00ecfae.jpg?itok=h13Wbp-f", "level": "bg", "title": "2020 SYMPOSIUM_PROGRAM BOOK", "desc": "", "thumbURI": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/muse_styles/square_thumbnail_100/mcode/b6fde69933f700fbae36687aa00ecfae.jpg?itok=S_wvkUIl", "thumbMediumURI": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/muse_styles/thumbnail_medium/mcode/b6fde69933f700fbae36687aa00ecfae.jpg?itok=oFzOfK80", "thumbBigURI": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/muse_styles/thumbnail_big/mcode/b6fde69933f700fbae36687aa00ecfae.jpg?itok=zrrcljRv", "background": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/muse_styles/w1920/mcode/b6fde69933f700fbae36687aa00ecfae.jpg?itok=Y0ncBZH5", "mfid": "b6fde69933f700fbae36687aa00ecfae", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "ICTM原住民音樂與舞蹈研究小組", "rightsLogo": "https://ictmindsg.openmuseum.tw/files/muse_ictmindsg/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileDisableLink": "0", "fileOversize": false } }, "title": "誌謝", "desc": "<div>Acknowledgements from the Local Arrangements Committee Chair From 2019 to 2022, global mankind has experienced an unprecedented historical moment--the global pandemic of COVID-19. However, as the Pandemic was around and shook global society, the programme committee and Local committee of the Inaugural symposium of ICTM Study-Group-in-the-Making on Music and Dance in Indigenous Postcolonial Contexts were not discouraged. We found our way through, and eventually realized the expectations from the world’s indigenous communities and academia with our enthusiasm and efforts.  According to ICTM's regulations, the study group under the proposal must successfully conduct their first international conference, and after review, can it be recognized by the ICTM as a full alliance with each other. Therefore, Taiwan’s mission was to host this inaugural symposium during a global pandemic. This posed a significant challenge to the local arrangements committee. As the messages from General Secretary of ICTM Ursula Hemetek on November 28 of 2019 revealed: Full ICTM affiliation is subject to the Study Group successfully conducting its ﬁrst meeting in Taiwan in 2020, in alignment the ICTM’s Memorandum on ICTM Study Groups. The proposed meeting in Taiwan is therefore vital to the development of the Study Group’s mission and status. The ICTM Secretariat and Executive Board welcome the support of Taiwanese partners in making this meeting a resounding success. However, as the COVID-19 pandemic spread rapidly across the whole world in 2020, the inaugural symposium planned for June of 2020 had to be postponed. Despite the COVID-19, we thought in reverse, enlarging the scope of Symposium through a digital platform. Furthermore, in the goal of extending and deepening the academic view, we took full advantage of the opportunities that digital conferencing afforded, collaborating with the 19th Symposium on Indigenous Music and Dance and 4th Symposium on Indigenous Arts and Culture in the Academy of Melbourne University in Australia. Eventually, the Inaugural symposium was held from November 30 to December 3 at National Dong Hwa University, Taiwan, and the symposium is hosted jointly by National Chiayi University, National Dong Hwa University and National Taipei University of the Arts. The Symposium, under the theme “Ontologies and Epistemologies of Indigenous Music and Dance,” incorporated the \"on line” and “in person” modes and presented in various forms -- including paper presentation, workshops, performance lectures and the live performances of indigenous music and dance -- reached to a significant success.   On behalf of the Program Committee, the Local Arrangements Committee, the sponsoring institutions and the sponsor (the Bureau of Cultural Heritage, Ministry of Cultures, Taiwan; the Council of Indigenous Peoples; Legislator Lihua Wu; Ministry of Education; Ministry of Foreign Affairs; National Center for Traditional Arts; Taiwan Music Institute; Academia Sinica, Taiwan; Mr. Zhi-Wei Xue), National Chiayi University, National Dong Hwa University, National Taipei University of the Arts and all the student-volunteers of this symposium, I would like to express our gratitude and joyfulness at having been able to contribute and then witness the establishment of “ICTM Study Group on Indigenous Music and Dance” (the official name of this study group after discussions), with each of you. Dr. Yuh-Fen Tseng <img width=\"317\" alt=\"\" src=\"https://lh4.googleusercontent.com/c76uhfgVIoR1A20ymClrbwYAYxKgMgcLNSBQVB2WC3ZL1Qpag5QMr-3u86CibH-LxBpmF9r4j3M8jjvt3tUJ_3GTNKw9_HMOyQ8-2SKDZWG0KAKeLD86zMWHoOQrFS9LOO25JxpVzNhR41jQNeNmiSlDrSAjGLpv6ZpavlWz5-raYF7l-e-0FltnnFtYIIqalbkx\" height=\"84\">Chair, Local Arrangements Committee of the Inaugural symposium of ICTM Study-Group-in-the-Making on Music and Dance in Indigenous Postcolonial Contexts  Professor at Music Department and Graduate Institute of the National Chiayi University, Taiwan September 30, 2022 臺灣籌備委員會主席致謝 從2019到2020，全球人類共同經歷了前所未有的歷史時刻—新冠肺炎全球大流行。然而，在疫情環伺、風雨飄搖之際，ICTM原住民後殖民語境樂舞研究小組的學術委員會及臺灣籌備委員會逆流而上，最終用滿腔熱情、努力不懈，實現了全世界原住民社群及學術界的殷殷期盼；而1947年成立、與聯合國教科文組織（UNESCO）具正式顧問關係的「國際傳統音樂學會」（ICTM），經歷73個寒暑，終於成立了原住民樂舞研究小組。 依據ICTM的法規，提案成立中的研究小組必須成功舉辦完小組的第一次國際研討會，經過審核，方能得到ICTM總會認可彼此的完全結盟關係。因此臺灣負責主辦ICTM原住民後殖民語境樂舞研究小組成立論壇，可謂任重而道遠。正如ICTM秘書長Ursula Hemetek回覆臺灣籌備委員會信件中提及：「為符合ICTM研究小組備忘錄，此研究小組與ICTM的完全結盟關係取決於成功辦理2020年在臺灣舉行的第一次研討會，因此，將於臺灣舉行的會議對此一研究小組的使命和身份發展至關重要。…. ICTM秘書處和執行委員會歡迎臺灣合作夥伴的支持，以使這次會議取得圓滿成功」。       然而，COVID-19疫情在2020年衝擊全世界。面對疫情，學術委員會和臺灣籌備委員會並不氣餒，仍然堅持辦理，除了將ICTM原住民的後殖民語境樂舞研究小組成立論壇從6月延後至2020 年 11 月 30 日至 12 月 3 日在國立東華大學舉辦，由國立嘉義大學、國立東華大學和國立臺北藝術大學三校共同主辦，更逆向操作，借助數位會議的優勢，進一步與澳洲墨爾本大學「第九屆原住民樂舞論壇」和「第四屆學院中的原住民藝術文化論壇」透過網路連線進行共同論壇，以達到擴大、深化研討議題以及討論範疇的目的。      終於，2020年深秋，ICTM原住民後殖民語境樂舞研究小組成立論壇在臺灣盛大舉辦。研討會主軸為「原住民樂舞的本體論與認識論」。結合數位科技平台與現場實體參與，匯集來自歐、亞、非、澳、紐等各大洲學術論文、工作坊、示範講座與樂舞表演！將近一年半的辛勤籌劃，加上來自世界各地原住民樂舞實踐者與研究者的熱忱支持，克服萬難順利進行。 在此容我代表學術委員會、臺灣籌備委員會、所有贊助機構及支持者（臺灣文化部文化資產局、臺灣原住民族委員會、臺灣伍麗華立委、臺灣教育部、臺灣外交部、臺灣國立傳統藝術中心、臺灣音樂館、臺灣中研院、薛智偉先生）以及國立嘉義大學、國立東華大學和國立臺北藝術大學和三校學生志工，表達我們衷心的感恩和歡欣之情──能竭盡所能並與各位一同見證「ICTM原住民音樂舞蹈研究小組」（研究小組現今的正式名稱）的正式成軍，是何等榮幸。 曾毓芬博士 <img width=\"170\" alt=\"\" src=\"https://lh6.googleusercontent.com/Jl565XsKvL0q8V-jLgETUgbxdbeflZHfiYbnLSBQNXKs6kFQ4kLh26F4W9Fkok0UX2L3_Y13_Gfd8XCSlYWrjOPzDHVCTWmGZVelhgFvY1SgVNMCzlebc8gyGiid4rlYJGvNBxjaagliw7DBogm-YNAx1h-H_YaZgNbzIdohfgdJ-WsYE-UDcvgjOILYwA9sI8VO\" height=\"70\"> 「ICTM原住民後殖民語境樂舞研究小組」臺灣籌備委員會主席 國立嘉義大學音樂學系暨研究所教授 2022年9月30日 </div>", "weight": 4, "display": false } }

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