音樂會系列介紹 Concert Series Introduction

1.Song of Mount Tashan Ancient Ballad Troupe, from Laiji Village of the Tsou“Song of Mount Tashan”is a ballad passed down among various Tsou villages, and it is also the name of our group. We are a Tsou ancient ballad troupe consisting of members from kindergarten children to village elders. The“Song of Mount Tashan Ancient Ballad Troupe”carries the mission of perpetuating the ancient ballads of the Tsou people. Through training in both ceremonial songs and dances as well as everyday ballads, we hope to enhance the interest of children and community members in learning these ancient songs, enriching their lives and fostering a sense of pride and self-identity. By embracing our unique identity, we aim to preserve and promote the beautiful artistic culture of the Tsou people.

For the people of Laiji Village, who live under the sacred mountain of the Tsou, Mount Tashan, this is deeply meaningful and carries a cultural legacy. Through the continuation of these ballads, we hope to take concrete actions toward cultural transmission and to protect the eternal community under Mount Tashan.
Team Leaders: Wu Cheng-Qing, Cheng Yi-Hsin, Sun Li-Yu
Rehearsal Teachers: Cheng Yi-Hsin, Lo Sheng-Ping, Chen Hsiao-Tung, Liang Jui-Tsung

鄒族來吉部落塔山之歌古謠傳唱隊
「塔山之歌」是一首傳唱在鄒族各部落間的歌謠，也是我們的團名,我們是一群由幼兒園一直到部落耆老組成的鄒族古謠傳唱隊，「塔山之歌古謠傳唱」肩負著鄒族古謠的永續傳唱，我們希望透過祭儀歌舞及生活古謠的傳習訓練，增進部落孩子和族人們對古謠的學習興趣，豐富其生活內涵及促進自我尊榮感的實現，認同並接受我們獨特的身份，進而能傳承及發揚鄒族優美的藝術文化，對居住在鄒族靈山~塔山下的來吉部落的族人們，深具文化傳承的意義與使命。
更希望透過古謠的的傳唱,實現文化傳承的實質行動,守護著鄒族塔山下永遠的部落。


2. Bunun Cultural Association of Xinyi Township, Nantou County, the transmitting group of pasibutbut and Bunun polyphonic songs circulated at Xinyi Township of Nantou County.
The Bunun are the highest-dwelling group among Taiwan's indigenous peoples. They are also the fourth largest ethnic group, with a population of approximately 61,164 (April 2023), living in the central and southern area of the Central Mountain Range of Taiwan.
The Bunun people inherited an ancient polyphonic singing with a homo-rhythmic texture. Among all the traditional repertoire, an ancient musical genre called pasibutbut acclaimed to be the first Taiwan indigenous music known by the world's academic scholars. In 1952, Japanese scholar Kurosawa Takatomo sent a recording of pasibutbut which he collected in 1943 at Lilongshan village (now known as the Kanding village of Haiduan township in Taidong county) to the International Folk Music Council (IFMC) and caught the attention of many distinguished scholars including Andre Scháeffner, Curt Sachs and Jaap Kunst.
In 2010, pasibutbut along with the Bunun polyphonic singing were inscribed as“National and Important”Intangible Cultural Heritage item of Taiwan while the“Bunun Cultural Association in Xinyi Township of Nantou County”was appointed to its transmitting group, which is a performing troupe composed mainly by Bunun people from Ming-de village of Hsin-yi township in Nantou County.

南投縣信義鄉布農文化協會
布農族是臺灣原住民族中居住海拔最高的族群。他們也是臺灣第四大原住民族，根據 2023 年 4 月的數據，人口約為 61,164 人，主要居住在中央山脈的中部和南部地區。
布農族擁有古老的複音音樂傳統，其音樂以同節奏的多聲部結構為特色。在所有傳統曲目中，有一種名為 pasibutbut的古老音樂體裁，為國際學術界最早認識的臺灣原住民音樂。1952 年，日本學者黑澤隆朝將他於 1943 年在里瓏山社(今台東縣海端鄉崁頂村)採集的 pasibutbut 錄音寄送至國際民間音樂理事會(IFMC)，引起了許多著名學者的注意，其中包括 Andre Scháeffner 、Curt Sachs 和 Jaap Kunst 等知名學者。
2010 年，pasibutbut 及布農族的複音音樂被列入臺灣「國家及重要」無形文化資產，而「南投縣信義鄉布農文化協會」則被指定為其傳承團體，該團體主要由南投縣信義鄉明德村的布農族人組成的表演團隊。


3. Tasaw Watan and Lin En-Cheng singing Atayal Lmuhaw, the transmitter of Atayal chanting song Lmuhuw, circulated at Msbtunux dialect group.
The Atayal ethnic group, the third largest ethnic group with a population of approximately 94,854 (April 2023), scattered in the northern and central area of the Central Mountain Range of Taiwan.
Lmuhuw is the crystallization of Atayal language, which presents the desired message in a symbolic and metaphorical manner in various occasions such as meetings, negotiations, marriage proposals, marriages, ancestral sacrifices, and gatherings of friends. The ethnic history, habits and ecological environment of the Atayal are passed down through the Lmuhuw. Among them, the Msgamil epic chanting transmitted by people speaking the Msbtunux dialect group retains ethnic identities such as origin and migration stories, ancestral legacy, and stands the essence of the Atayal's traditional wisdom.
Watan Tanga (Ming-fu Lin) is one of the few elders in the Msbtunux dialect group who can perform Lmuhuw. In 2012, he was inscribed as the Cultural Bearer of Important Traditional Art “Atayal chanting song Lmuhuw”by Taiwan's Minister of Culture. Furthermore, in 2019, Atayal oral history Lmuhuw na Msbtunux was inscribed as“National and Important ICH item” and its Art Master is Watan Tanga. Apart from epic chanting, Watan Tanga is also familiar with the manufacturing and playing of the Atayal traditional musical instruments, such as the head-hunting flute and the Jew's harp. Lin En-Cheng and Tasaw Watan are both sons of Watan Tanga. They both have retired from their jobs and now focuses on the transmission of the Atayal intangible cultural heritage carried on by his father Watan Tanga.

達少. 瓦旦與林恩成演唱泰雅族 Lmuhaw
泰雅族是臺灣第三大原住民族，根據 2023 年 4 月的數據，人口約為 94,854 人，分布在臺灣中央山脈的北部和中部地區。
Lmuhuw是泰雅語的結晶，通過象徵性和隱喻性的方式，在會議、談判、求婚、婚禮、祖先祭祀和朋友聚會等場合中傳遞所需的信息。泰雅族的族群歷史、習慣和生態環境通過 Lmuhuw 代代相傳。其中，由說 Msbtunux 方言族群傳承的Msgamil 史詩吟唱，保留了族群身份的象徵，如起源與遷徙故事、祖先的遺產，並展現了泰雅族傳統智慧的精髓。
Watan Tanga(林明福)是少數能夠演唱 Msbtunux 方言族群 Lmuhuw 的耆老之一。2012 年，他被臺灣文化部登錄為「重要傳統藝術泰雅吟唱 Lmuhuw」的文化傳承人。此外，2019 年，泰雅族口述歷史 Lmuhuw na Msbtunux 被列為「國家及重要無形文化資產項目」，其藝術大師是 Watan Tanga。除了史詩吟唱，Watan Tanga 還精通泰雅族傳統樂器的製作和演奏，如獵首笛和口簧琴。林恩成和達少. 瓦旦是 Watan Tanga 的兩個兒子，他們都已從工作中退休，現在專注於傳承父親 Watan Tanga 所承載的泰雅族無形文化遺產。


4. Shui-Neng Xie, the Art Master of Nose Flute Lalingdan & Mouth Flute Pakulalu circulated at the Southern Paiwan.
The Paiwan ethnic group is the second largest ethnic group with a population of approximately 105,620 (April 2023), spread among the southern area of the Central Mountain Range of Taiwan.
The Paiwan double-pipe nosed flute Lalingdan is derived from the so-called hundred-step-snake kamavanan, which is said to be the guardian god of the Piyuma tribe. According to the legend, kamavanan symbolizes a rich harvest and prosperity. In the performance practice of Piyuma village, the double-pipe nose flute consists of two bamboo tubes, one is a tube without finger holes and the other with finger holes. The nose flutes with carvings are musical instruments used by nobles, and those without carvings are musical instruments used by civilians.
The single-pipe flute of the Paiwan tribe is called Pakulalu. In Paiwan traditional culture, it was a tool often carried by warriors. It was used as a signal for clashes between tribes, foreign invasions, or the successful head-hunting of the enemy. Due to social changes, the tribes have reconciled with each other, so in modern times the mouth flute has become the favorite instrument of tribes in their leisure time.
In 2010, the Pingtung County Government announced Gilegilau Pavalius (Shui-Neng Xie) as the Cultural Bearer of the traditional art of Pingtung County“Paiwan mouth-flute and nose-flute”and in March 2011, he was invited to be the artist in residence for the 3rd Aboriginal Artists Residency Program of the Indigenous Peoples Committee of the Executive Yuan. In September 2011,“Paiwan mouth-flute Lalingdan and nose-flute Pakulalu”was inscribed as the“National and Important ICH item”and Gilegilau Pavalius as the Art Master.

謝水能團隊演奏排灣族口鼻笛
排灣族是臺灣第二大原住民族，根據2023年4月的數據，人口約為105,620人，主要分布在中央山脈南部地區。
排灣族的雙管鼻笛 Lalingdan 源自該族的百步蛇 kamavanan 傳說,據說它是排灣族的守護神。根據傳說,kamavanan 象徵豐收和繁榮。在排灣族 Piyuma 部落的演奏中，雙管鼻笛由兩根竹管組成，其中一根沒有指孔，另一根則有指孔。有華麗雕刻的鼻笛是貴族使用的樂器，而沒有雕刻的則是平民使用的樂器。
排灣族的單管口笛稱為 Pakulalu。在排灣族的傳統文化中,它是戰士經常攜帶的工具，通常用於部落之間的衝突、外來入侵或是成功獵首後的信號。隨著社會的變遷，部落之間已經和解，因此在現代，口笛成為部落人們閒暇時間最喜愛的樂器。
2010 年，屏東縣政府公告謝水能(Gilegilau Pavalius)為屏東縣「排灣族口笛與鼻笛」傳統藝術的文化傳承人，並在 2011 年 3 月被邀請擔任行政院原住民族委員會第三屆原住民族藝術家駐村計劃的駐村藝術家。同年 9 月，「排灣族口笛Lalingdan 與鼻笛 Pakulalu」被列為「國家及重要無形文化資產」，謝水能被授予藝術大師的稱號。


5. Akawyan Pakawyan (Lin Ching-Mei) and the Pakawyan Family from Puyuma Tribe of the Pinuyumayan
Akawyan Pakawyan, also known as Ching-Mei Lin (1938~), is from the Puyuma village of the Pinuyumayan, one of Taiwan's Indigenous ethnic groups. She is a key figure in the preservation and revitalization of Pinuyumayan traditional music, dance, and language.
In 1991, Akawyan founded the“High-Mountain Dance Troupe,”which focused on passing down Pinuyumayan traditional music and dance. Later, she was awarded the“Golden Perseverance Prize”or the touching story between her and her younger brother, Lin Haoxun (whose Indigenous name is Isao). Despite being completely paralyzed, he never gave up on himself and used bamboo chopsticks in his mouth to tap on a computer keyboard to compose music for the High-Mountain Dance Troupe. With the encouragement and support of Akawyan's entire family, he even toured across Taiwan, earning the nickname“Woodpecker Man.”
Between 2013 and 2018, Akawyan served as the principal of the“Pinuyumayan Garland Community School”and was honored with the“Outstanding Contribution Award for Local Language”by Taiwan's Ministry of Education. In 2022, she received the“Lifetime Contribution Award for the Rejuvenation of Indigenous Language”from Taiwan's Executive Yuan Indigenous Peoples Committee.
In 2023, Akawyan Pakawyan delivered a speech in the Puyuma language, with English and Chinese subtitles, at Melbourne's 2023 Narrm Oration, organized by the University of Melbourne's Indigenous Knowledge Institute. Her participation made her the first non-Australian Indigenous person and the first speaker to present a Narrm oration entirely in an Indigenous language, establishing a new tradition for future speakers.
In recognition of her outstanding achievements in preserving and transmitting Indigenous language, Akawyan Pakawyan was awarded the Indigenous Medal by the Council of Indigenous Peoples in 2024.

卑南族普悠瑪部落林清美暨巴高揚家族
林清美(1938 年出生)，卑南族名 Akawyan Pakawyan,來自臺灣原住民族群之一的卑南族部落。她是傳承和復興卑南族傳統音樂、舞蹈和語言的關鍵人物。
1991 年，林清美成立了「高山舞集」，專注於傳承原住民族的傳統音樂和舞蹈。隨後，她因與弟弟林豪勳(族名 Isao，身體全殘仍不自我放棄，口含竹筷點敲電腦鍵盤來為高山舞集創作音樂，甚至在林清美全家人的鼓勵協助之下全台巡迴表演，人稱「啄木鳥人」)之間的感人故事而獲得「金毅獎」。
在 2013 年至 2018 年間，林清美擔任「卑南族花環社區學校」的校長，並獲得臺灣教育部頒發的「本土語言傑出貢獻獎」。2022 年，她榮獲臺灣行政院原住民族委員會頒發的「終身貢獻獎」，以表彰她對原住民族語言復興的卓越貢獻。
2023 年，林清美在墨爾本大學原住民知識研究所舉辦的 2023 年 Narrm 講座中，全程以卑南語發表演講(輔以中英文字幕)。她的參與使她成為首位非澳洲原住民、也是首位全程以原住民族語進行 Narrm 講座的講者，為未來的演講者開創了新的傳統。
為表彰她在保存和傳承原住民族語言方面的卓越成就，林清美於 2024 年獲得原住民族委員會頒發的原住民族獎章。


6. Kacalisian Double-Pipe Mouth and Nose Flute Heritage Music Troupe
The double-pipe mouth and nose flute musical culture of the Paiwan people, an Indigenous group in Taiwan, is one of the most representative traditional musical cultures in Taiwan. In addition to reflecting contemporary Paiwan life, culture, and musical characteristics, it also showcases the beauty of Taiwan's important indigenous humanistic art. This traditional Indigenous art, deeply characteristic of Taiwan's culture, was designated in 2011 by the Council for Cultural Affairs (now the Ministry of Culture) as a national“Important Traditional Art”and intangible cultural asset. Following this designation, Paiwan master artist and national living treasure, Mr. Pairing Pavavalung (許坤仲), initiated a“Heritage Transmission Project,”which uses an apprenticeship system to teach the knowledge and skills of crafting and playing the traditional mouth and nose flute. This project aims to preserve and expand the transmission and revitalization of the double-pipe mouth and nose flute tradition among the Paiwan people as an essential element of Taiwan's intangible cultural heritage.
In 2018, Mr. Pairing Pavavalung's first two apprentices, Etan Pavavalung and Sakuliu Pavavalung, along with the second cohort apprentice Yu Wei-Min in 2023, successfully completed their training and passed their certification assessments. The Ministry of Culture's Bureau of Cultural Heritage officially certified their graduation, allowing these apprentices to continue preserving this important intangible cultural asset. To further the transmission of knowledge, these apprentices have become the next generation of master artists, promoting the tradition independently and creating opportunities for dialogue with multiculturalism, performing arts, and other intangible cultural assets. Through this work, the essence of the Paiwan double-pipe mouth and nose flute traditional music is revitalized, promoted, and shared more widely.
The“Kacalisian Double-Pipe Mouth and Nose Flute Heritage Music Troupe”is a newly formed music group focused on the traditional Paiwan double-pipe mouth and nose flute as its primary musical foundation. In today's fast-paced, heavy-metal, and technology-driven society, the group seeks to share the ancient, pure, and ecological melodies of this music, conveying the stories, humanistic values, and artistic language embedded within the music.
The term“Kacalisian”comes from the Paiwan language and is a term that the Paiwan people of southern Taiwan use to refer to themselves, meaning“the people who truly live on sloping land.”Before modern civilization and electronic entertainment entered the villages, the traditional double-pipe mouth and nose flute served as a medium of emotional communication between people and as a way of remembering life's experiences. It played an important role in tribal society and in the continuation of their original cultural and artistic heritage.

Kacalisian 雙管口、鼻笛薪傳樂音團
台灣原住民排灣族的雙管口、鼻笛樂音文化，係台灣傳統音樂中很具代表性之樂器文化之一，除了反映當代排灣族生活、文化形態、音樂特色外，也呈現台灣重要的原始人文藝術之美。此一深具台灣文化特色之原住民傳統藝術，於2011 年經文建會(今為文化部)指定為國家「重要傳統藝術」無形文化資產，並於被指定的人間國寶、排灣雙管口、鼻笛傳統藝師許坤仲( pairing
pavavalung)先生開始「薪傳計劃」，以師徒制形式推展傳統口、鼻笛的製作與吹奏知識與技能，以傳習台灣重要的無形文化資產，擴大原住民排灣族雙管口、鼻笛技藝傳習與活化。
2018 年，藝師許坤仲首屆 2 位薪傳藝生伊誕・巴瓦瓦隆與撒古流・瑪拿妮凱，及 2023 年第 2 屆薪傳藝生余衛民等三位藉由結業考核通過，文化部文資局正式授証結業，以延續此重要無形文化資產的技藝。而為了延展傳習，讓薪傳藝生成為傳藝師的接班人，有機會自主推廣，開創與多文化、表演藝術、傳統樂音等無形文化資產對遇機會，讓台灣原住民排灣族雙管口、鼻笛的傳統音樂精髓，得以活化、宣揚與擴大分享的層面。
「Kacalisian 雙管口、鼻笛薪傳樂音團」是一個新組成的音樂團體，以台灣原住民排灣族傳統的雙管口、鼻笛為主要音樂構成，試圖在現今快速的、重金屬的、科技的社會情境裡，分享古老原始的、純淨的、生態的音樂旋律，傳遞音樂中的故事、人文與藝術語彙。
Kacalisian一詞為排灣語，乃世居在南台灣的排灣族人自稱的用語，意為「真正住在斜坡土地上的子民」。在現代文明科技、電器娛樂進入部落以前，傳統的雙管口、鼻笛是 Kacalisian 傳達人與人之間的情感，以及追憶人生的心靈媒界，扮演部落社會製度及傳續原始文化藝術的重要地位。


7. Chu-Yin Culture and Arts Troupe, the transmitting group of the Amis Polyphonic Singing circulated at Falangaw village, Taitung
The Amis ethnic group is the largest ethnic group with a population of approximately 218,570 (April 2023), scattered through the southeastern coast of Taiwan.
Among all the Amis music and dance, the polyphonic songs circulated in the Falangaw village of Taitung city are the most well-known around the world. Due to population expansion, immigration of the Han people and the expansion of the city, the Falangaw Amis as well as their polyphonic singing spread to the neighboring villages. Therefore, in the so-called“pan-Falangaw area,”people share the same stream of culture and music.
In this unique type of polyphonic singing, usually two or more people form the ensemble group. One is the lead singer and the rest follow. The lead singer starts the singing with the main melody and improvised lyrics, and then the followers join at certain point with one or more highly embellished counter-melodies, called“ikung”(bending) by the Falangaw Amis, to correspond with the leading singers while the musical emotions are simultaneously enhanced. Both main and counter-melodies are based on the same skeletal melody but performed in various ways, thus forming a‘free-counterpoint-like’ polyphonic texture (from the western viewpoint) and an extremely ornamental singing style. In 2021, Falangaw Amis polyphonic songs was inscribed as a“National and Important ICH item”and its transmitting group is Chu-Yin Culture and Arts Troupe.

阿美族杵音文化藝術團，台東馬蘭部落阿美族複音歌謠的傳承團體
阿美族是台灣人口最多的原住民族，根據 2023年 4月的數據，人口約為 218,570人 ， 主要分布 在台灣東南部沿海地區。
在阿美族的音樂與舞蹈中，台東市馬蘭部落流傳的複音歌謠最為世界所熟知。
由於人口擴展、漢人移民以及城市擴展，馬蘭阿美族及其複音歌謠也隨之傳播至鄰近村莊。因此，一般所謂的大馬蘭地區內，族人共享著相同的文化和音樂。這種獨特的複音歌謠通常由兩人或多人所組成。一位為領唱者，其餘為跟隨者。領唱者首先以主旋律和即興歌詞開始演唱，隨後跟隨者在某個點加入一部或多部具高度裝飾性的對位旋律，馬蘭阿美族稱之為“ikung”(彎曲)，以呼應領唱者的旋律，同時增強音樂的情感。主旋律與對位旋律基於同一個骨架旋律
來演唱，但以不同方式呈現，從西方音樂觀點來看，形成一種近似於「自由對位式」的複音結構,並展現出極具裝飾性的演唱風格。
2021 年，馬蘭阿美族複音歌謠被列為「國家及重要無形文化資產」，其傳承團體為杵音文化藝術團。


8. Nibun Chorus
Nibun Chorus was established in 2017.“Nibun”is derived from the Bunun language meaning "tooth". We are affiliated to the Kaohsiung Nibun Association. The members of the chorus are from Kaohsiung Liou-Guei, Bao-Lai and Tao-Yuan districts who love to sing. Conductor Chun-Chih Chen, pianist Shu-Han Lu, Yi-Han Lin, and vocal instructor Chia-Lun Hsu. We hope that through the connection of music, local young people can focus on their hometowns and give back to their home villages.
In addition, Nibun Chorus is devoted to collecting and preserving local characteristics, and we re-arrange cultural music, such as indigenous, Hakka, Taiwanese new immigrants’ and Hokkien songs. We hope to do our part in cultural preservation.
Our footprints throughout Taiwan and were invited to perform in many countries, such as Africa, Japan and the USA…etc. Nibun Chorus participated in the“World Choir Games 2018”in South Africa and won the golden diploma in the category of “Folklore with accompaniment”. In December 2019, we accompanied the vice president Chien-Jen Chen on the visit to Palau and performed at the 20th anniversary of the establishment of diplomatic relations between Taiwan and Palau. In November 2020, we were invited by the Presidential Palace to participate in the Presidential Concert at the National Kaohsiung Center for the Arts (Weiwuying). We were also invited by Decca Records (Universal Music) and WWF World Wide Fund to get involved in global music and climate action plan ”Voice for the Planet”, broadcast with countries on Earth Day, April 22, 2022. In February 2023, we were invited to perform in music exchange concerts in Japan.In July 2023, we won the GOLDEN DIPLOMA in the Folklore with Accompaniment at the 12TH WORLD CHOIR GAMES - Gangneung 2023.
In July 2024, we won two gold medals in the Folklore with Accompaniment and Contemporary Music - Mixed Voices at the 12TH WORLD CHOIR GAMES - auckland 2024.

尼布恩合唱團
尼布恩合唱團成立於 2017 年，「尼布恩」取自布農語「牙齒」之意，隸屬於高雄市尼布恩人文教育關懷協會。成員來自高雄六龜、寶來、桃源地區喜愛合唱之青少年。指揮陳俊志老師、鋼琴盧舒涵、林憶涵老師、聲樂指導許家倫老師，希望藉由音樂的連結，讓在地青年聚焦故鄉，回饋鄉里。並將在地特色，如原住民、客家、新住民及閩南音樂，採集保存並重新編曲演繹，冀能在文化保存上盡一份心力。
曾於 2019 年 12 月，與陳建仁副總統一同出訪帛琉，於台帛建交 20 週年慶典上演出。2020 年 11 月受總統府邀請於衛武營國音藝術文化中心參與總統音樂會演出。2021 年1 月更應蔡總統邀請至總統府餐敘交流。2022 年受邀參加與 Decca Records(環球音樂)和 WWF 世界自然基金會合作的全球音樂和氣候行動計劃，讓來自世界各地的人們用不同的語言和音樂風格演唱同一首歌曲 -「RESOLUTION SONG」，並於2022年4月22日世界地球日與各國一同播出。
2023 年 2 月受邀至日本「K.INTERNATIONAL SCHOOL」校內演出,也與日本伊勢崎市混聲合唱團、伊勢崎市室內合奏團、合唱團「コール ぽこ・あ・ぽこ」，共同舉辦「日台音楽交流演奏会in伊勢崎」，更受日本伊勢崎市─受群馬縣臺灣總會邀請至群馬縣臺灣總會會員大會上演出。於 12 th World Choir Games - Gangneung 2023 世界合唱大賽獲得O27金牌、13th World Choir Games- Auckland 2024世界合唱大賽獲得C19金牌C27金牌。


9. Tulbus Mangququ，a Bunun singer, national music prize winner, Indigenous cultural worker, and a community builder for his tribe, Kunuan, in Hualien, Taiwan.
I am Tulbus Mangququ, a member of the Bunun tribe. Tulbus is the name passed down through the ages. It's the name of a tree, the beech tree, which is closely tied to the Bunun way of life, serving as building material, firewood, and tools.
In the tribe, when I want to introduce myself more sincerely, I say, "Ma nak ngaan a tupaun tu Tulbus Mangququ taingka sia Isnangkuan" (My name is Tulbus. Mangququ is my family name, and Isnangkuan is my mother's family name).
From this, people can usually tell whose child you are, who your elders are, and which tribe you come from. This is important because you must know who you are. If you don't know yet, don't worry, take your time to find out. Just like when the Bunun sing, you will eventually find your place in the harmony, or like walking into the mountains, where you'll always find a spot that feels right. Most of the time, I'm a singer and music creator, a young man from the Mayuan tribe in Hualien. Throughout more than a decade of“returning home”action and also singing, I have gained much gratitude and learning. This journey will never stop, and I will continue to walk it humbly.

馬詠恩,布農族歌手、國家級音樂獎得主、原住民文化工作者以及臺灣花蓮馬遠部落的社區建設者
我是詠恩，布農族。Tulbus 是千百年來承襲下來真正的名字，它是一種樹的名字，叫「櫸木」，而這種樹，跟布農族的生活息息相關，包括建材、木柴、工具等等。
在部落在族裡，通常要更誠意介紹自己的時候，我會說“Ma nak ngaan a tupaun tu Tulbus Mangququ taingka sia Isnangkuan”(我的名字叫做 Tulbus,Mangququ是我的家族名，Isnangkuan 是我媽媽的家族名)。
從這裡大概就可以知道，你是哪一家的孩子、你的長輩是誰、來自哪一個部落，這很重要，因為你必須知道你是誰。如果你還不知道你是誰，不要急，慢慢找回來就好，就像布農族在唱歌的時候，總會找到你適合的聲音位置，就像走進山裡的時候，山總會給你安心舒適的定位。而我更多的時候，是一個歌手和音樂創作，來自花蓮馬遠部落的青年。返家行動十幾年當中，有著非常多的感恩和學習，這條路不會停歇，會繼續謙卑的走。


10. Kao Yih-Sheng Family Ensemble
Gao Yisheng, known by his Tsou name Uyongu Yatauyungana (1908-1954), was a musician, educator, and politician from the Tsou tribe. The"Gao Yisheng Family Ensemble" is a small musical group mainly composed of his children, grandchildren,and great-grandchildren. This ensemble primarily performs songs created by Gao Yisheng during his lifetime and is usually formed temporarily with available family members and friends, without a fixed structure or performance format. They have been invited to perform on numerous occasions, including concerts at the Presidential Office,the 228 Memorial Concert, and other events. Through their performances of Gao Yisheng's songs, they hope to soothe and heal the painful memories of that historical period, fostering mutual understanding and tolerance, overcoming the wounds and shadows of history, and embracing the light of a new day.

高一生家族重奏團
高一生，鄒族名 Uyongu Yatauyungana(1908-1954)是鄒族的音樂家和教育家及政治家，「高一生家族重奏團」是由包括高一生兒女、孫子、曾孫為主要成員的小型樂團。主要以推廣演出高一生生前所創作的歌謠音樂，通常會視可參加的家族成員及親友臨時組成，並沒有固定編制或演出形式。曾多次應邀包括總統府音樂會、二二八紀念音樂會及其他場合中演出，希望藉由演出高一生的創作歌曲以音樂來安撫、弭平那一段歷史記憶中的悲情與苦痛，以相互理解與
包容，走出歷史的傷痛與陰霾，迎向陽光。


11. Seediq Traditional Culture Troupe
The ritual dance song uyas kmeki is a precious cultural heritage of Seediq people, one of Taiwanese indigenous ethnic groups. The essence of its unique polyphonic singing lies on the improvisational singing and dance of the lead singer. In the past years, the knowledge and skill of leading singers have been handed down from generation to generation in the indigenous society. However, nowadays, this tradition has almost vanished. The only case is Obin Nawi—one of the few present-day alive elders who know well about uyas kmeki --leads the younger generation of the Strengan village to continue singing, which echoes the heritage of Gaya ancestral teaching. The“Seediq Traditional Culture Troupe”is composed of Strengan villagers. They continue to sing and dance the ancient songs left by their ancestors, which have been disappearing in the rapid pace, and shed a light on the conservation of this Seediq cultural heritage.
This troupe has been announced and inscribed as a uyas kmeki transmitting group by
the government of Nantou County in 2013. Several leading singers in this troupe possess the qualities of“superb singer and weaver,”that means, they master not only the art of singing but also the weaving skills. They are acclaimed as the“most beautiful woman”in the traditional aesthetic standards of the Seediq.

賽德克傳統文化藝術團
祭典舞蹈歌 uyas kmeki 是賽德克族珍貴的音樂文化資產，其獨特的複音歌唱精髓繫於領唱者的即興領唱與領舞。在過往歲月中，領唱技藝在部落間代代相傳，然而現今碩果僅存的，只有耆老 Obin Nawi 帶領著南山溪部落的年輕世代持續傳唱，呼應 Gaya 祖訓的傳承精神。「賽德克族文化藝術團」即是由南山溪部落的族人所組成，他們在傳統文化一片急速凋零聲中，繼續唱著祖先所留下的古謠，代表賽德克族歌舞傳習未來的希望，並於 2013 年獲南投縣政府公告登錄為uyas kmeki 的技藝保存團體。該團中的幾位領唱者都具有「能歌善織」的特質，不但歌藝好，織布技藝更是精湛，亦即賽德克傳統審美標準中「最美麗的女子」，可說是賽德克傳統美學的極佳代表。


12.National Chiayi University Department of Music Wind Orchestra was originally as Chiayi Teacher's college Department of Music Education Wind Orchestra. After restructured into National Chiayi University in 2000, Liang Yu-Ling, first chair of Music Department prioritized wind orchestra performances as key tasks for the department. Under active promotion of successive conductors, including current conductor Lin Shih-Wei and former Vice President Liu Rong-Yi, the wind orchestra has achieved outstanding results, winning top awards in the National Student Competition of Music for three consecutive years and being invited to perform at the WASBE and the closing concert of the Chiayi City International Band Festival from 2007 to 2023.

The Wind Orchestra has been active domestically as exchanging with various university wind orchestras and well recognized internationally, including exchange tours to sister school in Japan (2007) and China (2011), participated in the Singapore International Wind Band Competition in 2012, where they won a silver medal in Open Division, performed at Hong Kong Disneyland in 2014, toured Malaysia in 2018, and took part in the Ministry of Education's New Southbound Policy program in 2023. In 2024, they were selected as one of the main performing ensembles for the WASBE 2024.

The Wind Orchestra continues to collaborate with international soloists and conductors, including James Thompson, Ka-Hing Fung, Adam Frey, James Worman, Takeshi Hidaka, Eric Chen, Lai Li-Chin, Joanna Ting, Yang Chien-Ying, Robert Ambrose, Kei Ito, Lin You-Lun, Hikaru Koga and Jun Miyanishi.

國立嘉義大學音樂系管樂團
嘉義大學音樂系管樂團原為嘉義師範學院音樂教育系管樂團。2000 年改制為國立嘉義大學後，首任音樂系主任梁毓玲更將管樂團合奏及展演列為系上重點工作。在歷任指揮、現任指揮林士偉老師以及劉榮義前副校長的積極推動之下，不但連續 3 年全國學生音樂比賽特優，亦自 2007 至 2023 年間連續獲邀參加管樂世界年會以及嘉義市國際管樂節閉幕音樂會。
嘉大音樂系管樂團長年活躍於國內的展演舞臺，不但與國內各大音樂系管樂團交流，也在國際舞臺上有亮麗的表現：2007 年赴日本姊妹校交流。2011赴中國姐妹校演出。2012 年參加新加坡國際管樂大賽，獲得公開組銀牌的殊榮。2014 年應邀在香港迪士尼樂團演出。2018年馬來西亞巡迴。2023年教育部新南向計畫團隊。2024年獲選為世界管樂年會ＷＡＳＢＥ主場演出團隊。
此外，嘉大音樂系管樂團也持續跟不同獨奏家與指揮合作：James Thompson、馮嘉興、Adam Frey、James Worman、日高 剛、陳冠宇、賴麗君、丁心茹、楊千瑩、Robert Ambrose 、伊藤 圭、林宥綸、古賀 光、宮西 淳。